These are prefaced by an excellent introduction which traces the intellectual development of critical musicology and discusses the part these essays have had to play in that movement.
Subjects Description Why does music move us? According to the general description of the series, authors are invited to make the selection of their own work for inclusion, and to provide a new introduction offering context for the whole.
Since he has been editor of the journal 19th-Century Music. Biography[ edit ] Kramer was born in Philadelphia and educated at the University of Pennsylvania and Yale. You are not currently authenticated.
Solie Critical Musicology and the Responsibility of Response: Hermeneutics[ edit ] David Beard and Kenneth Gloag credit Kramer with bringing questions about hermeneutic models and processes—questions of meaning—to the forefront of musicology.
One can hardly miss the irony: Surveying his own career as represented in the volume, he discerns certain tendencies: Lawrence Kramer suggests we should ask this old question in a different way: The essays in this outstanding collection explore this question amongst many others, and by finding cultural meaning in music they exemplify the critical turn in musicology.
He has challenged the idea that musical meaning must be derived from musical form and has repeatedly rejected oppositions between score and performance and performance and meaning. Introduction; Selected bibliography; Tropes and windows: In lieu of an abstract, here is a brief excerpt of the content: Between this book and The Thought of Music ; part of a trilogy also including Expression and Truth and Interpreting MusicKramer expanded his theoretical frame of reference to include performance, embodiment, voice, music in media especially filmand opera.
Over the chronological span, his argument does not substantially change although his method perhaps shows a slight broadening into cultural manifestations other than literary works, and the most recent ones depart from his familiar quarters in Romanticism to venture into film and the twentieth-century musical avant-garde.
While his concerns are not centrally historiographic, one of the pleasures of reading his work is that his accounts are consistently sensitive to precise place and time and always aware of events in the cultural surround—scientific discoveries, works of art, topics of conversation—so that each essay reaches out in many directions.
In this respect they follow Grove Music Onlinewhich credited Kramer with being the first English-language scholar to give musical hermeneutics a firm theoretical basis and a practical means of proceeding.
These themes, as he points out, are taken up in depth in the individual essays. The previously published essays are published using the facsimile method of reproduction to retain their original pagination, so that students and scholars can easily reference the essays in their original form.
According to Steven Paul Scher, "The scholar who has contributed the most in recent years toward developing [a] new critical language is Lawrence Kramer [ His work has been translated into nine languages.
Controversial when introduced in the late s, this position has since become foundational, while expanding further to include questions of affect, embodiment, and performance.
After several years on the English faculty at the University of Pennsylvania, he moved to Fordham University in New York where he has taught since and now holds the position of Distinguished Professor of English and Music. Sixteen essays have been selected, most of them previously published, from the late s to the present day.
A full bibliography points the reader to other publications which might not be included in the volume for reasons of space. About the Series Ashgate Contemporary Thinkers on Critical Musicology Series Ashgate Contemporary Thinkers on Critical Musicology Series The titles in this series bring together a selection of previously published and some unpublished essays by leading authorities in the field of critical musicology.
The essays are chosen from a wide range of publications and so make key works available in a more accessible form. The authors have all made a selection of their own work in one volume with an introduction which discusses the essays chosen and puts them into context. Ashgate Contemporary Thinkers on Critical Musicology.
In his purpose-written introduction, Kramer summarizes his argument fairly briefly; he is [End Page ] unapologetic about his emphasis on canonic works, and somewhat impatient with those who are View freely available titles: This in turn became the basis of a wider theory of humanistic knowledge that embraces uncertainty and creativity and takes musical experience as its paradigm.
Ashgate, Aldershot and Burlington, Vt. The book itself, considered as such, is a bit irritating in a number of ways, not least its unfortunately clunky title which, however, is evidently intentional, since it is taken up in the introduction ; its nature as a collection of reprints shows itself in a jumble of typefaces and column layouts, conventions of punctuation as practised in different countries, and warring footnoting and bibliographic styles.Encuentra Critical Musicology and the Responsibility of Response: Selected Essays (Ashgate Contemporary Thinkers on Critical Musicology Series) de Lawrence Kramer (ISBN: ) en Amazon.
Envíos gratis a partir de 19€. Download Citation on ResearchGate | Critical Musicology and the Responsibility of Response: Selected Essays (review) | This volume is the second in a series, Ashgate Contemporary Thinkers on.
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and by finding cultural meaning in music they exemplify the critical turn in musicology. Sixteen essays have been selected, most of them previously published, from the late. Ashgate Contemporary Thinkers on Critical Musicology Series Ashgate Contemporary Thinkers on Critical Musicology Series.
Critical Musicology and the Responsibility of Response Selected Essays. By Lawrence Kramer. Why does music move us? Lawrence Kramer suggests we should ask this old question in a different way: what is. Critical Musicology And The Responsibility Of Response: Selected Essays by Lawrence Kramer Jan 1, The essays in this outstanding collection try to answer this question Critical Musicology and the.
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